The Seventy Names of Jerusalem

"Seraphim Singers brought out its exciting, subtle, difficult rhythms; its charm derived from a complex surface fitfulness bordering on chaos, masterfully unified by a firm structure. The combination of deep rigor and surface exuberance was not without recollections of the Baroque, though, in effect, sounding entirely fresh and new. Dorman conveyed a timeless, resilient, polyglot and adventurous Jerusalem, holy in its human treasure."

— Anne Davenport , The Boston Musical Intelligencer (2015)